Stonebwoy has address the controversy surrounding his comments on the origins of Ghanaian sounds in a recent interview with Portfolio. The artist, who had been criticized for feeling left out of a Grammy, clarified his stance, saying, “I’m not against any name mentioned, and I stand on the fact that the name Stonebwoy cannot be omitted when it comes to the true state of the Ghanaian sound.”
When Portfolio pointed out that the article captured a specific era that Stonebwoy might not have been part of, the artist countered with a thought-provoking question. In his response he said “You know it captured some artists who weren’t in that era, like my brother Black Sherrif and King Paluta. And it goes on to say Black Sherif is ranked as one of the Ghanaian artists essential to hip life. How do you explain that?” He asked.
Stonebwoy’s response highlights the complexity of documenting music history and the challenges of giving credit where it’s due. By mentioning Black Sherif and King Paluta, artists from a different generation, Stonebwoy emphasizes the need for a more inclusive narrative that acknowledges the contributions of all artists, regardless of era or genre.
In essence, Stonebwoy is advocating for a more comprehensive understanding of Ghanaian music history, one that recognizes the evolution of the sound and the various artists who have shaped it over time. His comments serve as a reminder that music history is complex and multifaceted, and that every artist’s contribution deserves to be celebrated.
